江空不渡，恨蘼芜杜若，零落无数。远道荒寒，婉娩流年，望望美人迟暮。风烟雨雪阴晴晚，更何须，春风千树。尽孤城、落木萧萧，日夜江声流去。
日晏山深闻笛，恐他年流落，与子同赋。事阔心违，交淡媒劳，蔓草沾衣多露。汀洲窈窕余醒寐，遗佩环、浮沉澧浦。有白鸥、淡月微波，寄语逍遥容与。
译文：江天空阔，看不见梅花清影。又恨蘼芜杜若般的芳草，也在不断枯萎凋零。我不惜路远天冷，苦苦追寻她美好柔婉的芳容。可是在不断的渴望中，她却已如美人渐渐衰老，不再是美艳姣容。经过多少风烟雨雪，经过多少昏暮阴晴，却无法找到梅花的倩影，更不要说千树盛开的红梅沐浴着春风。整个孤城中只见落叶萧疏，只听见江水奔流之声日夜不停。暮色中听到深山中传出笛声，是人们怕梅花零落，把她谱进乐曲传唱抒情。我想与梅花见面却又不能，她和我的交情太淡太轻，再殷勤也枉费徒劳，徒自让蔓草的浓露沾湿我的衣襟。美丽的梅花或在江边小洲睡醒，遗下的环佩飘浮在水滨。汀上的白鸥，天边的淡月，连同江中的微波都在劝我，姑且自在逍遥，不必劳神伤心。
作者：彭元逊，生卒年不详，字巽吾，庐陵（今江西吉安）人。景定二年（公元1261年）参加解试。与刘辰翁有唱和，宋亡不仕。存词20首
赏析：本词别本调名又作《解佩环》。这首词借梅抒发怀人之情，非真寻梅。借追寻梅花来伤时感世，寄托怀旧之情。上片写寻梅不见的怅惘，下片写梅之精魂。意境凄迷朦胧。作者把梅花描写成一位远远离去的迟暮美人，抒发寻访无着的怅恨之恨，并以梅花凋零以后的萧条清冷景象衬托心中的愁情。开头三句写春天迟迟不肯渡江而至，所以众香草均已凋零。“远道”以下至上片结束，写苦苦寻梅不到，连一树开放的梅花也见不到，所见到的只是“无边落木萧萧下”的悲情情景而已。下片“日晏山深闻笛”，以《梅花落》笛曲照应眼前梅花落的实景，加深了感伤情味。以下化用屈原《九歌·湘君》中的诗意，渲染作者对梅花的无限思慕之情。全词情致深婉幽邈，笔致淡远深永，但稍嫌晦涩。
英译：
PENG Yuanxun – Lyrics to the Melody of Scattered Light and Shade
(On seeking plum blossoms but finding none)
The season cannot the river and the sky cross,
Regretfully grasses that fragrances give are wilting and on the drift.
Long is the road and desolate the wintriness, smoothly passes time,
Seeing beauties into their twilight years.
Misty winds and frosty rains the evening weather shift,
Making redundant breezes that brush through thousands of trees.
The lonely town is left as is with deciduous trees that whistle,
And the sound of the river flows day and night.
In the afternoon from the deep of the mountain comes the sound of a reed,
I fear that there'd be time when I'm in distress, then I'd offer my symphonic ode.
A multitude of things and matters negate the heart,
Weak friendship wears out those who go between,
Dewy are vines that cling onto clothes.
Secluded is life on the sandbar, yet between sleeps
I've lost the round pendant to the rippling waters of Li.
There are white gulls among light waves and the pale moonlight,
I tell them how I'm enjoying the unfettered clime.
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